![jst gain reduction cant be used logic x jst gain reduction cant be used logic x](https://i.ytimg.com/vi/pM0i7LxB-lU/maxresdefault.jpg)
Like all good EQs, Logic’s Channel EQ uses Gain-Q Coupling to ensure that there’s some proportionality between the bandwidth and the amount of boost/cut. Tools like this can help you unlock your hearing’s true potential. One significant advantage of using the Channel EQ is the clear and informative FFT display, which gives an accurate visual representation of the sound spectrum you’re trying to process.
![jst gain reduction cant be used logic x jst gain reduction cant be used logic x](https://i.ytimg.com/vi/mxtCf3vFEBs/maxresdefault.jpg)
The equaliser you’ll use most of the time is the Channel EQ, with its two filters, two shelving controls and four bands of fully parametric EQ.
![jst gain reduction cant be used logic x jst gain reduction cant be used logic x](https://www.tunecore.com/wp-content/uploads/sites/12/2018/12/5_Release-450x248.jpg)
More than just treble and bass controls, these can unlock a wealth of sound-shaping potential, from M/S equalisation through to matching two differing sound spectrums.Įqualisation in Logic comes in four principal forms – Channel EQ, Linear Phase EQ, Match EQ and Single Band EQ. Logic includes fully featured equalisers. Maybe two sounds are ‘fighting’ in the same part of sonic spectrum, or your DI’d bass needs extra kick around 80Hz – it’s hard to imagine creating a mix without turning to EQ throughout the process. Consider this – if you could produce a mix using only EQ or compression, but not both, which would you choose? I’d argue that while compression is beneficial to a good mix, equalisation is essential.